A Realistic Travels card featuring the legendary Sopwith Camels might not be so... realistic... but it's goshdarn cool, considering what these birds could do!
Fasser Collection: Devastated Belgium
One of the items in Andrew O. Fasser's collection of stereo slides is a box, which originally held Verascope Richard 6x13 diapositives, simply marked "Belgium". Inside are 16 slides of Great War devastation; the best 8 are examined.
Remembrance Day: 100 Years, 100 Photos
Today, on the centenary of the Great War's effective end with the 11 a.m. Armistice, I present 100 stereographic (and 2D) photographs from a soldier's-eye point of view. Lest we forget.
One-shot #10: Cramped Quarters
An extremely brief Great War post about some German soldiers throwing in the towel, as a result of some unforeseen issues revolving around my internet connection doing the same.
One-shot #9: Procuring Salt in Ithaca, NY
The idea of finding out about a previously-unknown-to-me industrial site in a city in Ithaca, where I spent four happy years, and knew like the back of my hand, was exciting to me. And what a cool stereoview I got! Unfortunately, that's about all I got...
One-shot #8: At a Calvary Near the Ancre
In which Wilfred Owen's poem is paired with and analyzed beside one of the images from the A. O. Fasser Collection.
One-shot #7: Tranchée des Baïonnettes, Verdun
The Tranchée des Baïonnettes - where 21 men of the 137th Infantry's 3 Company were supposedly buried alive, with only their bayonets poking out above the earth - was photographed after it was excavated during the planning phases of the 1920 monument built on the site.
Series: Artist, Studio, and Art Model
Three random glass stereoviews that came with (yet another) stereoscope - an artist's studio, the artist himself, and the artist "painting" a nude art model.
One-shot #6: Negative Notions
An examination of how one can take a century-old Great War negative in rough shape and recover as much detail as possible to provide a salvageable archival digital positive.
Alexander O. Fasser: An American Surgeon in Paris
An American surgeon left for France in October 1915, returning six months later with stories, knowledge, a sense of horror - and about 500 Great War stereoviews, taken by him with a camera he bought while there and quickly learned to use quite well.

