"La Délivrance", the statue that was at the center of the Nantes Memorial to the War Dead, was also at the center of a lot of controversy. Placed in July of 1927, it was torn down by far-right wing vandals - not to be restored for 91 years, on the Armistice Centenary.
While touring the ruins after the Great War was rather unexceptional, this well-shot amateur set is rather bizarre in that a lone woman is pictured in most of the shots, always with a stolid expression on her face and in a very proper stance. Add in a complete lack of other people, she comes off as rather ghoulish, like a spectre haunting the rubble.
An amateur set of contemporary modern ruins photography of Reims, at and around the bombed-then-burned-out Cathedral, and probably taken well before the end of the Great War, shows 12 views from a very talented photographer, documenting the damage to a beautiful city and its centerpiece.
An amateur set containing 7 views from the Great War: 3 of an ambulance convoy leaving to pick up the wounded of Champagne, 3 of a convoy at Saint-Mesmes, and one of soldiers camped in a small village (probably the latter).
In which we look at 11 slides from the second box of the Puthon Collection, get into some more rugged mountaineering, sit at a picnic table with a telescope looking over Mont Blanc, and more!
Most people think that the casualties of War are the people killed in fighting. But many lived on, bearing scars, lost limbs, trauma; they did not receive the honors of those that fell. This post explores that notion with casualty stereoviews from A. O. Fasser, and a poem by Wilfred Owen.
A port or other fortified waterfront in Belgium, photographed by A. O. Fasser, is the subject of today's Month of Remembrance post - along with some brief discussion on maritime combat during the Great War.