Ian Ference's 3D blog on all things stereographic, from classic scopes & stereoviews to historical context & modern analysis
No better or worse than the first two post-war Raumbild-Verlag Siegfried Brandmüller "Europa" series, this look at Holland in the 1950s pretty much gives us a cursory tour of Amsterdam, as well as an obligatory view of a windmill which looks to have been taken from a car window.
In this third and final part of a series on VistaScreen's stereoviews featuring the Bertram Mills Circus, we look at the inferior (but scarcer) "Night" version of Series 46, which replaced the "Day" version at some point in time. We also look at possible times these photos were taken, the performers who appear in them, and the problems with shooting on slow glass plates in the dark.
In the second installment (out of three) focused on the wonders of the three VistaScreen series on the Bertram Mills Circus, I document my personal journey over the course of the last couple of years to complete Series 46 - which led to my discovery of two more complete 10-card sets, and to a fascination with VistaScreen. We also delve into the reasons why there are two alternate sets with the same designation - including the theory that some rather racially unacceptable portrayals of American Indians caused the company to change from this relatively quaint "Day Series" to the more formal, and more scarce, "Night Series".
Out of love of all things circus, my very first series of images on this blog was VistaScreen C.62 "Bertram Mills Circus". This is more or less a redux of that series, revamped to greatly improve the image quality, display options, and anaglyphs, with some new information. This is the first in a series of three posts focused on 1950s VistaScreen stereography of Britain's answer to RB&BB - Bertram Mills Circus - because who doesn't love the Big Top?
Probably the best repository for stereoscopic photography of the Exposition Internationale Paris 1937 is a book published late in the year - with stereoviews by notorious Nazi photographer Heinrich Hoffmann, and some text that just drips with propaganda. This post takes us a little further into the Exhibition, with 15 more views, and a contemplation on the nature of beautifully achieved propagandistic works.
The post-war Raumbild-Verlag Siegfried Brandmüller series "Greece" is primarily focused on ruins, as so many Grecian stereoviews seem to be. Still, they come alive wonderfully in this short series.
In 1934, Tru Vue published "New York's Chinatown", which starts with a little racist poetry and goes on to show some random street scenes, etc, as well as making it look dangerous and exotic. The 3D is well executed for early Tru Vue - the racism, not so much. Also included, a short explanation on how a Tru Vue filmstrip was put together.
An introduction to the Edinburgh Stereoscopic Atlas of Anatomy, as well as an explanation for my 4 month hiatus from the blog.
Happy New Year! And what better way to celebrate than with a burlesque performance? Sally Rand's Fan Dance is credited by many as being the main attraction at the 1933 Century of Progress - despite its having gotten her arrested numerous times. See it here in 3D via an early filmstrip from Tru Vue, taken at the Chicago World's Fair!
The Century of Progress World's Fair - held in Chicago in 1933 and again in 1934 - was among the most successful World's Fairs of all time, actually turning a profit. It was also the launch-pad for Tru Vue's toy-format 3D filmstrip system, which documented the Fair over 8 different filmstrips. This is the first one.