While touring the ruins after the Great War was rather unexceptional, this well-shot amateur set is rather bizarre in that a lone woman is pictured in most of the shots, always with a stolid expression on her face and in a very proper stance. Add in a complete lack of other people, she comes off as rather ghoulish, like a spectre haunting the rubble.
An amateur set of contemporary modern ruins photography of Reims, at and around the bombed-then-burned-out Cathedral, and probably taken well before the end of the Great War, shows 12 views from a very talented photographer, documenting the damage to a beautiful city and its centerpiece.
Four of A. O. Fasser's stereo photos (from a set on Belgium) are not like the other ones - let's take a look!
A look at the next box marked "Belgium" in the A. O. Fasser, as well as a consideration as to why plates in poor condition still need the "deluxe treatment" as regards their conservation.
A double exposure can be accidental. But this strange triple exposure - found in one of A. O. Fasser's "Belgium" boxes - was almost certainly made on purpose. The question is: to what end?
An extremely brief post, mainly showcasing a very lovely stereographic image of the scars left upon the fields of Flanders after the cessation of hostilities in the Great War.
Dr. Fasser's collection came with a twine-bound set of 8 slides marked "Rheims", a common alternate spelling of Reims. But given what's on the slides, he couldn't have made them all himself - so we must examine the evidence to try to suss out whether Fasser ever did photograph Reims.