An amateur set of contemporary modern ruins photography of Reims, at and around the bombed-then-burned-out Cathedral, and probably taken well before the end of the Great War, shows 12 views from a very talented photographer, documenting the damage to a beautiful city and its centerpiece.
Four of A. O. Fasser's stereo photos (from a set on Belgium) are not like the other ones - let's take a look!
A look at the next box marked "Belgium" in the A. O. Fasser, as well as a consideration as to why plates in poor condition still need the "deluxe treatment" as regards their conservation.
A double exposure can be accidental. But this strange triple exposure - found in one of A. O. Fasser's "Belgium" boxes - was almost certainly made on purpose. The question is: to what end?
An extremely brief post, mainly showcasing a very lovely stereographic image of the scars left upon the fields of Flanders after the cessation of hostilities in the Great War.
Dr. Fasser's collection came with a twine-bound set of 8 slides marked "Rheims", a common alternate spelling of Reims. But given what's on the slides, he couldn't have made them all himself - so we must examine the evidence to try to suss out whether Fasser ever did photograph Reims.
One of the items in Andrew O. Fasser's collection of stereo slides is a box, which originally held Verascope Richard 6x13 diapositives, simply marked "Belgium". Inside are 16 slides of Great War devastation; the best 8 are examined.