Ian Ference's blog on all things stereographic, from classic scopes & stereoviews to historical context & modern analysis
"La Délivrance", the statue that was at the center of the Nantes Memorial to the War Dead, was also at the center of a lot of controversy. Placed in July of 1927, it was torn down by far-right wing vandals - not to be restored for 91 years, on the Armistice Centenary.
The Grotte de la Devèze in Courniou, France, known in English as the The Glass Spinner's Palace, was photographed and released by Bruguiere in the late 1940s - near the end of the era of glass-plate diapositives. I obtained a near-pristine copy the other day and thought I'd share.
While touring the ruins after the Great War was rather unexceptional, this well-shot amateur set is rather bizarre in that a lone woman is pictured in most of the shots, always with a stolid expression on her face and in a very proper stance. Add in a complete lack of other people, she comes off as rather ghoulish, like a spectre haunting the rubble.
Miraculously, the Chicago Avenue Pumping Station survived the great fire of 1875 due to a German immigrant fireman. Happily, local stereographic photo outfit Lovejoy & Foster produced a fantastic, painterly view of the great steam-powered pumping station within 4 years later.
In additional to his usual fare - fancy estates, towns, zoos, and so on - VistaScreen's photographer Stanley Long dabbled in artistic figure studies. Largely unadvertised for obvious reasons - this was 1950s Britain after all - few of these sets are floating around. Here's the first in the Miss Continentale series.
In terms of industry, Pittsburgh is usually identified with steel - hence one of its nicknames, "The Steel City". At the turn of the century, the city was one of the manufacturing capitals of the nation, mostly built on the backbone of Andrew Carnegie's US Steel, and other steel and metal industries. The steel industry …
Continue reading "1903: Pittsburgh Plate Glass in Tarentum, Pennsylvania"
In 1934, Tru Vue published "New York's Chinatown", which starts with a little racist poetry and goes on to show some random street scenes, etc, as well as making it look dangerous and exotic. The 3D is well executed for early Tru Vue - the racism, not so much. Also included, a short explanation on how a Tru Vue filmstrip was put together.
