An extremely brief post, mainly showcasing a very lovely stereographic image of the scars left upon the fields of Flanders after the cessation of hostilities in the Great War.
The Great War was notorious for many things, and one of the most prominent among them was the use of gas warfare. Herein is explained the main gas weapons used in direct violation of the Hague Convention, their effects, and the reason they were not used much after the War.
While not as commonly represented in exciting sets of stereoviews, photographs and newsreels from the front - or any media really, standing around and shooting the breeze was as much a part of Great War life as ducking for cover during a bombardment or hastily fitting a gas mask. These were men at war, but foremost, they were men living their lives.
A developed negative of a simple path through a long-since-abandoned portion of No Man's Land causes me to question the meaning of such imagery.
Dr. Fasser's collection came with a twine-bound set of 8 slides marked "Rheims", a common alternate spelling of Reims. But given what's on the slides, he couldn't have made them all himself - so we must examine the evidence to try to suss out whether Fasser ever did photograph Reims.
A Realistic Travels card featuring the legendary Sopwith Camels might not be so... realistic... but it's goshdarn cool, considering what these birds could do!
One of the items in Andrew O. Fasser's collection of stereo slides is a box, which originally held Verascope Richard 6x13 diapositives, simply marked "Belgium". Inside are 16 slides of Great War devastation; the best 8 are examined.
Today, on the centenary of the Great War's effective end with the 11 a.m. Armistice, I present 100 stereographic (and 2D) photographs from a soldier's-eye point of view. Lest we forget.
An extremely brief Great War post about some German soldiers throwing in the towel, as a result of some unforeseen issues revolving around my internet connection doing the same.
In which Wilfred Owen's poem is paired with and analyzed beside one of the images from the A. O. Fasser Collection.