With a heavy-duty post inbound this coming Sunday, let's put on our anoraks and head on down to the railyards - because it's time for a bit of trainspotting with Stanley Long and company!
For our final Sunday in The Netherlands, we're back in Amsterdam - about half a century before Raumbild's "Holland". Expect canals, wooden shoes, quaint street scenes - and a couple of really great stereoviews from KVC!
We've looked at some great VistaScreen, some interesting VistaScreen, and some just plain silly VistaScreen on this blog. But here, we're going to look at the absolute dregs of VistaScreen - which also happens to be one of the most popular sets the company produced during its mid-period in the late 1950s.
In this installment of Sunday Travels, we take a look at Delft, The Hague, and Leiden - all in the areas around last week's subject, Rotterdam. These views prove to be far more superior, as they spend less time buying into stereotypes, and more time actually capturing their subjects.
Douglas Adams hated Heathrow Airport. My wife likes it. Somewhere in between these points of view, there was the 1950s "London Airport", as captured here by VistaScreen. In this essay, we'll explore the nature of documentary stereography that was probably boring when shot but has become more interesting with the passage of time.
In this installment of Sunday Travels, we take a look at Rotterdam, the second-largest city in The Netherlands, through century-old American eyes. We see some gorgeous scenes - and some dubious editorial influence on the part of Keystone View Company.
Benjamin White bought a Napoleonic-era coastal fort in 1957. Instead of turning it into a museum, his vision was a huge model village - and the bizarre Blue Grotto Aquarium. And who was on the scene to capture two weird attractions in one old fort? Why, Stanley Long of VistaScreen, of course!
A Brief Introduction to "Sunday Travels" This series on The Netherlands is the first in an ongoing weekly series that will focus on various travel stereoviews. My wife has "encouraged" me to thin out the boxes upon boxes I have lying about. Boxes of stereoscopic treasures which happen to be cluttering up our microscopic smallish …
In our first full look at a non-Anglocentric series from VistaScreen, in the bilingually-captioned "Venezio". Featuring above-average stereography, this series raises some questions about the provenance of the images - and raises doubts about whether Stanley Long was involved with these at all!
No better or worse than the first two post-war Raumbild-Verlag Siegfried Brandmüller "Europa" series, this look at Holland in the 1950s pretty much gives us a cursory tour of Amsterdam, as well as an obligatory view of a windmill which looks to have been taken from a car window.