In our first full look at a non-Anglocentric series from VistaScreen, in the bilingually-captioned "Venezio". Featuring above-average stereography, this series raises some questions about the provenance of the images - and raises doubts about whether Stanley Long was involved with these at all!
No better or worse than the first two post-war Raumbild-Verlag Siegfried Brandmüller "Europa" series, this look at Holland in the 1950s pretty much gives us a cursory tour of Amsterdam, as well as an obligatory view of a windmill which looks to have been taken from a car window.
In this third and final part of a series on VistaScreen's stereoviews featuring the Bertram Mills Circus, we look at the inferior (but scarcer) "Night" version of Series 46, which replaced the "Day" version at some point in time. We also look at possible times these photos were taken, the performers who appear in them, and the problems with shooting on slow glass plates in the dark.
In the second installment (out of three) focused on the wonders of the three VistaScreen series on the Bertram Mills Circus, I document my personal journey over the course of the last couple of years to complete Series 46 - which led to my discovery of two more complete 10-card sets, and to a fascination with VistaScreen. We also delve into the reasons why there are two alternate sets with the same designation - including the theory that some rather racially unacceptable portrayals of American Indians caused the company to change from this relatively quaint "Day Series" to the more formal, and more scarce, "Night Series".
Out of love of all things circus, my very first series of images on this blog was VistaScreen C.62 "Bertram Mills Circus". This is more or less a redux of that series, revamped to greatly improve the image quality, display options, and anaglyphs, with some new information. This is the first in a series of three posts focused on 1950s VistaScreen stereography of Britain's answer to RB&BB - Bertram Mills Circus - because who doesn't love the Big Top?
Being delighted to receive this bizarrely-tall thin paper stereoview a few days prior, I failed at the time to realize that it was a more expensive stereo pair than any of the other 1,000+ that I had received during "Christmas in July". And it was totally worth it, because penguins are the best!
One of the parcels which arrived on "Christmas in July" two days ago contained a wooden box - with about 500 amateur glass stereoviews contained within. Today, we take a look at two boxes at random, in an attempt to determine what this acquisition consists of, who might have taken it, and whether it is, indeed, a cohesive collection, as opposed to a random pile of amateur glass.
My opinion that Finland is a weird and wonderful place is not tempered by this Mikro-Kino filmstrip, the first I'll be posting of seven I currently own. A barely-known competitor to Tru-Vue, if they can be called a competitor being that they began producing their "filmseries" after Tru-Vue was bought out, Mikro-Kino offers a 3D look at the world of Finland and beyond through Finnish eyes.
In existing since the first decade after the Norman Conquest, Dudley Castle was destroyed by the Parliamentary siege during the First English Civil War. Now the grounds are a zoo - and are fully open to the public. The Levellers, Diggers, and Ranters would be proud!
The post-war Raumbild-Verlag Siegfried Brandmüller series "Greece" is primarily focused on ruins, as so many Grecian stereoviews seem to be. Still, they come alive wonderfully in this short series.