Ian Ference's 3D blog on all things stereographic, from classic scopes & stereoviews to historical context & modern analysis
An amateur set of contemporary modern ruins photography of Reims, at and around the bombed-then-burned-out Cathedral, and probably taken well before the end of the Great War, shows 12 views from a very talented photographer, documenting the damage to a beautiful city and its centerpiece.
An amateur set containing 7 views from the Great War: 3 of an ambulance convoy leaving to pick up the wounded of Champagne, 3 of a convoy at Saint-Mesmes, and one of soldiers camped in a small village (probably the latter).
4 "digital prints" from negatives of life in the camp of the 36th Artillery Regiment stationed in Saint Airy Forest at Verdun in January 1918 show snowbound soldiers near one's shelter - as well as a peek into the shelter itself!
In the final post in the Month of Remembrance series, we take a look at a merry band of soldiers preparing to "execute" what I've decided to call a "Snowboche" - a simple end to a complex series, much like the Great War itself.
Most people think that the casualties of War are the people killed in fighting. But many lived on, bearing scars, lost limbs, trauma; they did not receive the honors of those that fell. This post explores that notion with casualty stereoviews from A. O. Fasser, and a poem by Wilfred Owen.
A port or other fortified waterfront in Belgium, photographed by A. O. Fasser, is the subject of today's Month of Remembrance post - along with some brief discussion on maritime combat during the Great War.
A look at the Canon de 75 mm Modele 1897, in use for almost a century, and the central role it played in defending the Meuse Heights in 1916 at the Battle of Verdun.
A simple cross sits above a pile of German corpses - in a 1,000-year-old village that was completely leveled in a year, and finally came to be home to the largest military cemetery in France.
A look at the next box marked "Belgium" in the A. O. Fasser, as well as a consideration as to why plates in poor condition still need the "deluxe treatment" as regards their conservation.
A new box of slides from Brentano's - stamped "Verdun" on the front - gives me the opportunity to make some side-by-side comparisons of both duplicate and same-subject images from my collection.