We've looked at some great VistaScreen, some interesting VistaScreen, and some just plain silly VistaScreen on this blog. But here, we're going to look at the absolute dregs of VistaScreen - which also happens to be one of the most popular sets the company produced during its mid-period in the late 1950s.
Douglas Adams hated Heathrow Airport. My wife likes it. Somewhere in between these points of view, there was the 1950s "London Airport", as captured here by VistaScreen. In this essay, we'll explore the nature of documentary stereography that was probably boring when shot but has become more interesting with the passage of time.
In our first full look at a non-Anglocentric series from VistaScreen, in the bilingually-captioned "Venezio". Featuring above-average stereography, this series raises some questions about the provenance of the images - and raises doubts about whether Stanley Long was involved with these at all!
A random search on a French merchants' website led me to discover the fact that Vistascreen made views marketed to the French market - and there are almost certainly more.
In additional to his usual fare - fancy estates, towns, zoos, and so on - VistaScreen's photographer Stanley Long dabbled in artistic figure studies. Largely unadvertised for obvious reasons - this was 1950s Britain after all - few of these sets are floating around. Here's the first in the Miss Continentale series.