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Brooklyn Stereography

Brooklyn Stereography

Genevieve Ference's 3D blog on all things stereographic, from classic scopes & stereoviews to historical context & modern analysis

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Tag: LSU (La Stéréoscopie Universelle)

Posted on 5 November 201823 June 2019

One-shot #5: Wartime Filmmaking

A digital reproduction of a stereoview of a filmmaker filming the possible corpse of a soldier, probably at the Somme.

Posted on 3 November 201823 June 2019

New Acquisition: “Millie’s Nine”

I recently acquired 9 new Great War glass stereoviews from a very generous eBay seller - and present them with captions here.

Posted on 2 November 20188 April 2023

Manille in the Dugout

French soldiers passed the interminably long days, weeks, and months in the trenches in numerous ways. One of these ways was by playing the card game Manille.

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Latest Posts

  • Crowdsourced Archival Research on New Slides: Preparing for War 28 July 2023
  • Remembrance Sunday 2022: New Jordan/Ference Collection Sets 13 November 2022
  • Highlights from the Honorat Negatives (dans la région de VERDUN) 21 July 2022
  • Remembrance Day 2021: Colonials, Hospitals & Command by Cl. Gueidan 11 November 2021
  • The Irving Theatre: VistaScreen’s rarest set shows London’s first strip joint 18 December 2020
  • Views from Various Trenches, Part II of II (Remembrance Day 2020) 12 November 2020
  • Views from Various Trenches, Part I of II (Remembrance Day 2020) 11 November 2020
  • VistaScreen Halloween: Stereoviews from Betty Brimmer’s Puppet Theatre 31 October 2020
  • Indigenous Peoples’ Day: Wickenburg Massacre and White Perspective 12 October 2020
  • Why I Love Amateur Glass Stereoviews: 7 Great War Slides from France 25 September 2020

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      • Band 1: Der Feldzug in Polen
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Stereography Links

  • Jordan/Ference Collection
  • The Stereosite
  • André Ruiter Photography
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Usage

Please contact me if you wish to use any images on this blog, including scans, anaglyphs, and anything else you may come by. Unless otherwise noted, all modified scans & anaglyphs are the copyrighted intellectual property of Genevieve Ference, and anybody using them without permission – particularly in a monetized context – will receive an invoice by email. In a non-monetized (including ads) context, have at ’em.

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