For our final Sunday in The Netherlands, we're back in Amsterdam - about half a century before Raumbild's "Holland". Expect canals, wooden shoes, quaint street scenes - and a couple of really great stereoviews from KVC!
We've looked at some great VistaScreen, some interesting VistaScreen, and some just plain silly VistaScreen on this blog. But here, we're going to look at the absolute dregs of VistaScreen - which also happens to be one of the most popular sets the company produced during its mid-period in the late 1950s.
In this third and final part of a series on VistaScreen's stereoviews featuring the Bertram Mills Circus, we look at the inferior (but scarcer) "Night" version of Series 46, which replaced the "Day" version at some point in time. We also look at possible times these photos were taken, the performers who appear in them, and the problems with shooting on slow glass plates in the dark.
In the second installment (out of three) focused on the wonders of the three VistaScreen series on the Bertram Mills Circus, I document my personal journey over the course of the last couple of years to complete Series 46 - which led to my discovery of two more complete 10-card sets, and to a fascination with VistaScreen. We also delve into the reasons why there are two alternate sets with the same designation - including the theory that some rather racially unacceptable portrayals of American Indians caused the company to change from this relatively quaint "Day Series" to the more formal, and more scarce, "Night Series".
Out of love of all things circus, my very first series of images on this blog was VistaScreen C.62 "Bertram Mills Circus". This is more or less a redux of that series, revamped to greatly improve the image quality, display options, and anaglyphs, with some new information. This is the first in a series of three posts focused on 1950s VistaScreen stereography of Britain's answer to RB&BB - Bertram Mills Circus - because who doesn't love the Big Top?
Being delighted to receive this bizarrely-tall thin paper stereoview a few days prior, I failed at the time to realize that it was a more expensive stereo pair than any of the other 1,000+ that I had received during "Christmas in July". And it was totally worth it, because penguins are the best!
Looking for a ridiculous series of stereoscopic photographs on one subject that were probably all taken in the course of an hour and possibly all given captions in the span of two minutes? Then look no further, my friends.
Unlike our previous "Christmas present" from Tru Vue, this 1933 filmstrip is not a creepy, low-budget romp through a garage and then a weird scene in a little girl's darkened living room. Rather, it is a fairly interesting peek into messaging for kids during the Great Depression, with MUCH higher production value.
Colombia is a beautiful country that can be visited via Colombian Steamship Lines! This Tru Vue filmstrip features 3D photography of Colombia: the ruins of a fort, passengers disembarking from a steamship, a man selling a monkey, the home of the President of Colombian Steamship Lines, a torture house of the Spanish Inquisition, and more. Steamships!
Excerpt from rear of card: "This man has a clown dog. Clown dogs are very smart. They are trained to do many tricks. Most clown dogs like to be with the circus even though they do have to work hard."