Everybody knows that the plague is coming, everybody knows that it's coming fast... OK, that's just me ripping off Leonard Cohen during the CV-19 outbreak. But here, enjoy me taking the piss out of this homophobic holiday camp while you're holed up at home!
I have a few hours to kill on my birthday before my wife gets home. So what better way than by posting a Top 10 list of stereoviews that have previously been posted on this blog?
Sunday Travels is back - with a ridiculous look at Australia, courtesy of KVC. The only thing more common than kangaroos in this set of stereoviews is stereotyping - at which Keystone excelled. Some come aboard, and see all the excitement of 'roos, sheep, and a really big rock!
With a heavy-duty post inbound this coming Sunday, let's put on our anoraks and head on down to the railyards - because it's time for a bit of trainspotting with Stanley Long and company!
For our final Sunday in The Netherlands, we're back in Amsterdam - about half a century before Raumbild's "Holland". Expect canals, wooden shoes, quaint street scenes - and a couple of really great stereoviews from KVC!
We've looked at some great VistaScreen, some interesting VistaScreen, and some just plain silly VistaScreen on this blog. But here, we're going to look at the absolute dregs of VistaScreen - which also happens to be one of the most popular sets the company produced during its mid-period in the late 1950s.
In this third and final part of a series on VistaScreen's stereoviews featuring the Bertram Mills Circus, we look at the inferior (but scarcer) "Night" version of Series 46, which replaced the "Day" version at some point in time. We also look at possible times these photos were taken, the performers who appear in them, and the problems with shooting on slow glass plates in the dark.
In the second installment (out of three) focused on the wonders of the three VistaScreen series on the Bertram Mills Circus, I document my personal journey over the course of the last couple of years to complete Series 46 - which led to my discovery of two more complete 10-card sets, and to a fascination with VistaScreen. We also delve into the reasons why there are two alternate sets with the same designation - including the theory that some rather racially unacceptable portrayals of American Indians caused the company to change from this relatively quaint "Day Series" to the more formal, and more scarce, "Night Series".
Out of love of all things circus, my very first series of images on this blog was VistaScreen C.62 "Bertram Mills Circus". This is more or less a redux of that series, revamped to greatly improve the image quality, display options, and anaglyphs, with some new information. This is the first in a series of three posts focused on 1950s VistaScreen stereography of Britain's answer to RB&BB - Bertram Mills Circus - because who doesn't love the Big Top?
Being delighted to receive this bizarrely-tall thin paper stereoview a few days prior, I failed at the time to realize that it was a more expensive stereo pair than any of the other 1,000+ that I had received during "Christmas in July". And it was totally worth it, because penguins are the best!