This year's Remembrance Day post focuses on the work of Cl. Gueidan, a stereographer who sold some of his non-stereo work to the Section photographique de l'armée. He had incredible access to High Command, but also focused on Marsouins (colonial marines), hospitals, and ruins, creating some incredible works in the process.
The second half of my third Remembrance Day post, a day late but with more sleep, picks up where the last one left off and remembers combatants from five further countries.
The first half of my third Remembrance Day post explores my relationship with the man who inspired this blog - as well as showing some scenes worth remembering!
Long-time readers of Brooklyn Stereography should be unsurprised that I love amateur glass stereoviews. In this article, I use a set of seven received earlier this week to highlight exactly why.
Exactly one year ago today I made my first post on Brooklyn Stereography. Today, I'm going to repay the kindness you've all shown with images of: A bomb blast, a wounded man, a plane crash, a ripped-up corpse, a hastily constructed cemetery, and some very weary Hairies. Happy anniversary from Brooklyn Stereography!
I love penguins. Even taxidermic penguins, such as these specimens from the Grande Galerie de l’Évolution in Paris. While bereft of life they rest in peace, they're still lovely (and quite lifelike!) specimens. Let's take a trip to the museum!
A month-long French offensive known as the Second Battle of Verdun is the subject of this 10-slide series put out by the SDV division of LSU. Featuring scenes from the recaptured regions surrounding Esnes, the series really portrays the devastation caused by 4 million shells impacting a region localized around a few miles of space.
Bad puns aside, LSU really screwed the pooch on a 45x107mm glass plate stereoview - not only did they print the image horizontally reversed, but they managed to rotate the right-hand frame of the stereo pair by 180º. In this post, we explore the printing process that must have been employed by LSU in making an extremely goofy glass plate.
Probably the best repository for stereoscopic photography of the Exposition Internationale Paris 1937 is a book published late in the year - with stereoviews by notorious Nazi photographer Heinrich Hoffmann, and some text that just drips with propaganda. This post takes us a little further into the Exhibition, with 15 more views, and a contemplation on the nature of beautifully achieved propagandistic works.
One of the parcels which arrived on "Christmas in July" two days ago contained a wooden box - with about 500 amateur glass stereoviews contained within. Today, we take a look at two boxes at random, in an attempt to determine what this acquisition consists of, who might have taken it, and whether it is, indeed, a cohesive collection, as opposed to a random pile of amateur glass.