With most sets of stereographic images, you can get a sense of what's going on from the captions, action, provenance - all sorts of things. Here, I'm more or less at a loss - but the stereoviews are pretty darn cool!
In the spirit of the holiday season, I present the Carnaval de Nice from 1933, from a fantastic set of glass positive slides in my collection. I hope that these pictures of joy, jubilation, and celebration will bring happiness to my readers, regardless of which (if any) holidays they are celebrating around this time of year - and that they will transform these feelings into kindnesses towards others. Because that's truly in the spirit of any joyous celebration, is it not?
Probably the best repository for stereoscopic photography of the Exposition Internationale Paris 1937 is a book published late in the year - with stereoviews by notorious Nazi photographer Heinrich Hoffmann, and some text that just drips with propaganda. This post takes a first look at this Raumbild album, and the context and subtext surrounding it.
An amateur set of contemporary modern ruins photography of Reims, at and around the bombed-then-burned-out Cathedral, and probably taken well before the end of the Great War, shows 12 views from a very talented photographer, documenting the damage to a beautiful city and its centerpiece.
An amateur set containing 7 views from the Great War: 3 of an ambulance convoy leaving to pick up the wounded of Champagne, 3 of a convoy at Saint-Mesmes, and one of soldiers camped in a small village (probably the latter).
In which we look at 11 slides from the second box of the Puthon Collection, get into some more rugged mountaineering, sit at a picnic table with a telescope looking over Mont Blanc, and more!
Two glass plate negatives from the 1937 Exposition Internationale in Paris, taken from roughly the same position, give a window into the history of the Expo, as well as some of the underlying tensions that were coming to a boil in advance of the Second World War.