In the spirit of the holiday season, I present the Carnaval de Nice from 1933, from a fantastic set of glass positive slides in my collection. I hope that these pictures of joy, jubilation, and celebration will bring happiness to my readers, regardless of which (if any) holidays they are celebrating around this time of year - and that they will transform these feelings into kindnesses towards others. Because that's truly in the spirit of any joyous celebration, is it not?
Probably the best repository for stereoscopic photography of the Exposition Internationale Paris 1937 is a book published late in the year - with stereoviews by notorious Nazi photographer Heinrich Hoffmann, and some text that just drips with propaganda. This post takes a first look at this Raumbild album, and the context and subtext surrounding it.
1933 in the finest borough of the greatest city in America is brought to life, in sepia-toned 3D in a rare strip from Tru Vue. See the Williamsburg Bank Building without neighboring skyscrapers; the first Brooklyn Public Library's original main branch building; an elevated train line through the center of the borough - and more - all in stereo pairs & anaglyphic 3D!
In 1935, neither the phrase nor the concept of "politically correct" was in existence. Nowhere is this more evident than in this set of 14 stereoviews from the Ringling Bros. and Barnum & Bailey Circus - in this case, the Greatest Freak Show on Tru Vue 3D.
In which we look at 11 slides from the second box of the Puthon Collection, get into some more rugged mountaineering, sit at a picnic table with a telescope looking over Mont Blanc, and more!
In this post, I explain the methodology I came up with for making high-quality digital reproductions of Tru Vue stereographic film rolls without cutting the film up or damaging the emulsion in any way.
Most people think that the casualties of War are the people killed in fighting. But many lived on, bearing scars, lost limbs, trauma; they did not receive the honors of those that fell. This post explores that notion with casualty stereoviews from A. O. Fasser, and a poem by Wilfred Owen.
Today, on the centenary of the Great War's effective end with the 11 a.m. Armistice, I present 100 stereographic (and 2D) photographs from a soldier's-eye point of view. Lest we forget.
An American surgeon left for France in October 1915, returning six months later with stories, knowledge, a sense of horror - and about 500 Great War stereoviews, taken by him with a camera he bought while there and quickly learned to use quite well.
One hundred years ago today, Wilfred Owen, a Lieutenant in the 2nd Manchesters - and an as-yet unknown poet - fell to German guns in the crossing of the Sambre-Oise Canal in the Second Battle of the Sambre. Here's a brief account of the final three years of his life, with 3D photographs that show the gritty reality of the Great War.