In the second installment (out of three) focused on the wonders of the three VistaScreen series on the Bertram Mills Circus, I document my personal journey over the course of the last couple of years to complete Series 46 - which led to my discovery of two more complete 10-card sets, and to a fascination with VistaScreen. We also delve into the reasons why there are two alternate sets with the same designation - including the theory that some rather racially unacceptable portrayals of American Indians caused the company to change from this relatively quaint "Day Series" to the more formal, and more scarce, "Night Series".
Out of love of all things circus, my very first series of images on this blog was VistaScreen C.62 "Bertram Mills Circus". This is more or less a redux of that series, revamped to greatly improve the image quality, display options, and anaglyphs, with some new information. This is the first in a series of three posts focused on 1950s VistaScreen stereography of Britain's answer to RB&BB - Bertram Mills Circus - because who doesn't love the Big Top?
Being delighted to receive this bizarrely-tall thin paper stereoview a few days prior, I failed at the time to realize that it was a more expensive stereo pair than any of the other 1,000+ that I had received during "Christmas in July". And it was totally worth it, because penguins are the best!
Looking for a ridiculous series of stereoscopic photographs on one subject that were probably all taken in the course of an hour and possibly all given captions in the span of two minutes? Then look no further, my friends.
Included for free with a box of Veado Brand Cigars, this card features a man and his monkey - and might be part of the most prolific "freebie" line of gimmick stereoviews ever produced.
A really great photographer took a really crappy penguin stereo photo, so now I take the piss - about 120 years later.
A light-hearted series of poorly shot stereoviews from the goodly folk at VistaScreen.