Ian Ference's 3D blog on all things stereographic, from classic scopes & stereoviews to historical context & modern analysis
Everybody knows that the plague is coming, everybody knows that it's coming fast... OK, that's just me ripping off Leonard Cohen during the CV-19 outbreak. But here, enjoy me taking the piss out of this homophobic holiday camp while you're holed up at home!
After enough requests for more pretty ladies on Brooklyn Stereography, I must assent - so here are some mediocre cheesecake stereoviews from Stanley Long. I present VistaScreen Series 40 "Glamour Models No. 2 - A bevy of British Beauties", an obvious series of outtakes from the first Glamour Models series.
Exactly one year ago today I made my first post on Brooklyn Stereography. Today, I'm going to repay the kindness you've all shown with images of: A bomb blast, a wounded man, a plane crash, a ripped-up corpse, a hastily constructed cemetery, and some very weary Hairies. Happy anniversary from Brooklyn Stereography!
Questions are a burden to others; answers a prison for oneself. So we're all going to wind up as prisoners in Portmeirion, the North Wales village designed by a mad visionary and used for the exteriors of "The Village" in ITV's 1967 sci-fi allegory "The Prisoner". Shown in VistaScreen 3D and in annotated screengrabs from the series,
On this week's Sunday Travels, we're in for a pleasant surprise - Keystone View Company not only created a number of pretty great stereoviews, but they treated their subjects with respect. A stark contrast to Australia and most of The Netherlands, we'll look at the likely explanation for the nice stereography and barely-racist text.
We've looked at some great VistaScreen, some interesting VistaScreen, and some just plain silly VistaScreen on this blog. But here, we're going to look at the absolute dregs of VistaScreen - which also happens to be one of the most popular sets the company produced during its mid-period in the late 1950s.
Douglas Adams hated Heathrow Airport. My wife likes it. Somewhere in between these points of view, there was the 1950s "London Airport", as captured here by VistaScreen. In this essay, we'll explore the nature of documentary stereography that was probably boring when shot but has become more interesting with the passage of time.
Doctor A. O. Fasser took this 3D photo of two men fixing up a tire on a Nieuport 10, most likely in the spring of 1916. Here we take a look at the sesquiplane, before taking a look at the importance of negatives - both in general, and relative to the Fasser Collection.
In our first full look at a non-Anglocentric series from VistaScreen, in the bilingually-captioned "Venezio". Featuring above-average stereography, this series raises some questions about the provenance of the images - and raises doubts about whether Stanley Long was involved with these at all!
Unlike our previous "Christmas present" from Tru Vue, this 1933 filmstrip is not a creepy, low-budget romp through a garage and then a weird scene in a little girl's darkened living room. Rather, it is a fairly interesting peek into messaging for kids during the Great Depression, with MUCH higher production value.