While touring the ruins after the Great War was rather unexceptional, this well-shot amateur set is rather bizarre in that a lone woman is pictured in most of the shots, always with a stolid expression on her face and in a very proper stance. Add in a complete lack of other people, she comes off as rather ghoulish, like a spectre haunting the rubble.
With most sets of stereographic images, you can get a sense of what's going on from the captions, action, provenance - all sorts of things. Here, I'm more or less at a loss - but the stereoviews are pretty darn cool!
An amateur set of contemporary modern ruins photography of Reims, at and around the bombed-then-burned-out Cathedral, and probably taken well before the end of the Great War, shows 12 views from a very talented photographer, documenting the damage to a beautiful city and its centerpiece.
An amateur set containing 7 views from the Great War: 3 of an ambulance convoy leaving to pick up the wounded of Champagne, 3 of a convoy at Saint-Mesmes, and one of soldiers camped in a small village (probably the latter).
In which we look at 11 slides from the second box of the Puthon Collection, get into some more rugged mountaineering, sit at a picnic table with a telescope looking over Mont Blanc, and more!
4 "digital prints" from negatives of life in the camp of the 36th Artillery Regiment stationed in Saint Airy Forest at Verdun in January 1918 show snowbound soldiers near one's shelter - as well as a peek into the shelter itself!
Four of A. O. Fasser's stereo photos (from a set on Belgium) are not like the other ones - let's take a look!