Ian Ference's 3D blog on all things stereographic, from classic scopes & stereoviews to historical context & modern analysis
We've looked at some great VistaScreen, some interesting VistaScreen, and some just plain silly VistaScreen on this blog. But here, we're going to look at the absolute dregs of VistaScreen - which also happens to be one of the most popular sets the company produced during its mid-period in the late 1950s.
In this installment of Sunday Travels, we take a look at Delft, The Hague, and Leiden - all in the areas around last week's subject, Rotterdam. These views prove to be far more superior, as they spend less time buying into stereotypes, and more time actually capturing their subjects.
Douglas Adams hated Heathrow Airport. My wife likes it. Somewhere in between these points of view, there was the 1950s "London Airport", as captured here by VistaScreen. In this essay, we'll explore the nature of documentary stereography that was probably boring when shot but has become more interesting with the passage of time.
Benjamin White bought a Napoleonic-era coastal fort in 1957. Instead of turning it into a museum, his vision was a huge model village - and the bizarre Blue Grotto Aquarium. And who was on the scene to capture two weird attractions in one old fort? Why, Stanley Long of VistaScreen, of course!
In the 100th post (!) on Brooklyn Stereography, we take a look at the road behind us - as well as the journey ahead. I'll present stats, feedback, site news, and of course - stereoscopic 3D photography! And everything related to Nazi-era Raumbild is contained in a second section at the bottom, so no need to avert your eyes. Come see what's cooking at Brooklyn Stereography!
The Germans were late to bring tanks to the Great War; while the Allies built over 5,000, the Germans built a mere 20. This essay examines the history of those 20 A7V-class tanks, and takes a closer, stereoscopic look at two of them.
In our first full look at a non-Anglocentric series from VistaScreen, in the bilingually-captioned "Venezio". Featuring above-average stereography, this series raises some questions about the provenance of the images - and raises doubts about whether Stanley Long was involved with these at all!
No better or worse than the first two post-war Raumbild-Verlag Siegfried Brandmüller "Europa" series, this look at Holland in the 1950s pretty much gives us a cursory tour of Amsterdam, as well as an obligatory view of a windmill which looks to have been taken from a car window.
My opinion that Finland is a weird and wonderful place is not tempered by this Mikro-Kino filmstrip, the first I'll be posting of seven I currently own. A barely-known competitor to Tru-Vue, if they can be called a competitor being that they began producing their "filmseries" after Tru-Vue was bought out, Mikro-Kino offers a 3D look at the world of Finland and beyond through Finnish eyes.
In existing since the first decade after the Norman Conquest, Dudley Castle was destroyed by the Parliamentary siege during the First English Civil War. Now the grounds are a zoo - and are fully open to the public. The Levellers, Diggers, and Ranters would be proud!