In the 100th post (!) on Brooklyn Stereography, we take a look at the road behind us - as well as the journey ahead. I'll present stats, feedback, site news, and of course - stereoscopic 3D photography! And everything related to Nazi-era Raumbild is contained in a second section at the bottom, so no need to avert your eyes. Come see what's cooking at Brooklyn Stereography!
A Brief Introduction to "Sunday Travels" This series on The Netherlands is the first in an ongoing weekly series that will focus on various travel stereoviews. My wife has "encouraged" me to thin out the boxes upon boxes I have lying about. Boxes of stereoscopic treasures which happen to be cluttering up our microscopic smallish …
The Germans were late to bring tanks to the Great War; while the Allies built over 5,000, the Germans built a mere 20. This essay examines the history of those 20 A7V-class tanks, and takes a closer, stereoscopic look at two of them.
In our first full look at a non-Anglocentric series from VistaScreen, in the bilingually-captioned "Venezio". Featuring above-average stereography, this series raises some questions about the provenance of the images - and raises doubts about whether Stanley Long was involved with these at all!
After attending an Iron Maiden concert last night, I was inspired to dig back into my archives and find this morality play in a single 3D genre image - in which a monk, having broken his fast, is visited by a demon and a spirit - which, coming back around, seems like it could very much be the subject of an Iron Maiden song!
No better or worse than the first two post-war Raumbild-Verlag Siegfried Brandmüller "Europa" series, this look at Holland in the 1950s pretty much gives us a cursory tour of Amsterdam, as well as an obligatory view of a windmill which looks to have been taken from a car window.
A month-long French offensive known as the Second Battle of Verdun is the subject of this 10-slide series put out by the SDV division of LSU. Featuring scenes from the recaptured regions surrounding Esnes, the series really portrays the devastation caused by 4 million shells impacting a region localized around a few miles of space.
In this third and final part of a series on VistaScreen's stereoviews featuring the Bertram Mills Circus, we look at the inferior (but scarcer) "Night" version of Series 46, which replaced the "Day" version at some point in time. We also look at possible times these photos were taken, the performers who appear in them, and the problems with shooting on slow glass plates in the dark.
In the second installment (out of three) focused on the wonders of the three VistaScreen series on the Bertram Mills Circus, I document my personal journey over the course of the last couple of years to complete Series 46 - which led to my discovery of two more complete 10-card sets, and to a fascination with VistaScreen. We also delve into the reasons why there are two alternate sets with the same designation - including the theory that some rather racially unacceptable portrayals of American Indians caused the company to change from this relatively quaint "Day Series" to the more formal, and more scarce, "Night Series".
Out of love of all things circus, my very first series of images on this blog was VistaScreen C.62 "Bertram Mills Circus". This is more or less a redux of that series, revamped to greatly improve the image quality, display options, and anaglyphs, with some new information. This is the first in a series of three posts focused on 1950s VistaScreen stereography of Britain's answer to RB&BB - Bertram Mills Circus - because who doesn't love the Big Top?